The Engineer Who Could

The Engineer Who Could

The Engineer Who Could

“In many of the blocks, the corners of the pieces didn’t fit too well. I had to mention it, and she came right back with, ‘Well, if you can do better, prove it!! If not, keep still.’ Soooooo- What else could I do?”

Over the next fifty years he made more than 300 quilts! For the first 25 years his quilts were family projects because his father, mother, and wife hand quilted them.

As a man with an engineering degree from the University of Nebraska in 1924, Ernest valued mathematical precision and efficient processes. He said, “I think in terms of methods as well as esthetics.” As a result he developed several time-saving innovations to cut, sew, and quilt his boldly designed quilts.

Ernest generously shared his innovations. Beginning in the 1970s, he demonstrated his methods to quilt groups, self-published a booklet about machine quilting, and gave interviews for articles in national magazines. He also received formal recognition when inducted into the Nebraska Quilters Hall of Fame in 1986, just at the time declining health brought his half-century of quiltmaking to a close

About Ernest Haight

About Ernest Haight
About Ernest Haight

Ernest married Amelia Isabelle Hooper on August 28, 1928, at the First Baptist Church in David City, Nebraska. Isabelle had attended the music school in Pueblo, Colorado, before her marriage. She taught piano to Butler County children for several decades. She also composed hymns, wrote daily diaries, poetry and short stories, and hand quilted throughout her life.

In 1871, Ernest’s grandparents, Lewis and Elizabeth Haight, homesteaded in Butler County, near present-day David City, Nebraska. Ernest and Isabelle were the third generation to raise their family on the land. As a boy and young man, Ernest spent much of his spare time honing his mechanical skills in the farm’s machine shop.

In 1919, Ernest started classes at the University of Nebraska, and graduated in January 1924 with a B.S. in Agricultural Engineering. The engineering major required three semesters of drawing and design geometry. Ten years later, Ernest adapted his drawing and geometry skills to design and draft complex original quilt patterns.

Ernest’s quilting was a family secret until a neighbor walked into the house and saw him at the sewing machine. After that, Ernest became enthusiastic about his hobby. He purchased his own fabric at the store and, in the 1940s, began entering his quilts in the Butler County Fair. 

While quiltmaking is typically done by women, throughout history some men have also made quilts. In the late Middle Ages in Europe, men were professional mattress makers and quilters, which require the same techniques. Today, the number of male quiltmakers is growing and some, like Joe Cunningham, John Flynn, Ricky Tims, and Mark Lapinsky, have made full-time careers in quiltmaking.

In his later years, Ernest invested energy in leaving a generous quilting legacy with others. He gave quilts as annual Christmas gifts to their five children. And, as a new interest in quiltmaking swept the United States just prior to the 1976 Bicentennial, Ernest and Isabelle accepted numerous invitations to share their quilts and Ernest’s innovations in person or in print.

Ernest celebrated his 70th birthday in 1969 and retired from farming in 1972. With more time on his hands, the 1970s and 1980s were his most productive quiltmaking years. He made about a dozen quilts per year, half for entry in the Butler County and Nebraska State Fairs, and the other half for gifts to family and friends.  

Featured Media

Featured Media
Featured Media

Lecture by Curator Jonathan Gregory

Lecture by Curator Jonathan Gregory
Lecture by Curator Jonathan Gregory

Works in the Exhibition

Works in the Exhibition

Kaleidoscope Star, original design
Designed and Pieced by Ernest B. Haight, about 1938
Hand quilted by Elmer W. Haight, 1940
87” x 76.75”
Loaned by Mary E. Haight

For the Kaleidoscope Star design, Ernest looked into a kaleidoscope and sketched what he saw. 

To construct the quilt, Ernest did not start in the center and work out. Instead, he sewed six large sub-units, one for each point of the six-pointed star, and several sub-units for the background. He then joined these sub-units to assemble the quilt top.

6-Point Stars with Triangles quilt
Original design developed by Ernest B. Haight, 1956
Machine pieced by Ernest B. Haight, 1956
Hand quilted by Flora Burr Haight, 1957
89.75” x 79.5”
Loaned by Mary E. Haight

"This vibrant red and green quilt is interesting for hidden reasons. Even though this quilt has “Stars” in the title, Ernest did not make the stars and then join them together. He pieced equilateral triangles in rows joined with long horizontal seams. Can you find the horizontal seams? 

In 1978, Ernest wrote, “Every new quilt-block pattern is a puzzle.” He analyzed the easiest and fastest approach to constructing the design. For example, if he could sew long straight seams instead of short seams, he reduced the number of times he started and stopped a line of stitching. 

Ernest used high-contrast white strips, like lighting streaks, as buffers between the complementary red and green triangles in his original design border. "

Untitled
Machine pieced and quilted by Ernest B. Haight, c. 1973
93.25” x 76.75”
Loaned by Mary E. Haight

Ernest manipulated the arrangement of a minimalistic pattern—a brown and white four-stripe block—to create a dizzying geometric field—a shifting surface reminiscent of 1960s Op Art.

Interlocking Triangles
Machine pieced and quilted by Ernest B. Haight, dated 1984
90” x 74”
2001.005.0001, NSQG Collection

Interlocking Triangles, one of the last quilts Ernest made, was a gift to the Nebraska State Quilt Guild when he was honored with induction into the Nebraska Quilters Hall of Fame in 1986.

Ernest made a number of “scrappy” repeated-block quilts in the 1980s for his family. This might be because he made a bulk purchase of 1000 yards of close-out fabric from a David City store. Some of the fabrics were garish and his pairings could be jarring. Nonetheless, when viewed from a distance, each one has a striking visual effect.

Works in the Exhibition

Gallery Photos

Gallery Photos
Gallery Photos
This exhibition was made possible through funding from the Nebraska Arts Council and the Nebraska Cultural Endowment. The Nebraska Arts Council, a state agency, has supported this exhibition through its matching grants program funded by the Nebraska Legislature and the National Endowment for the Arts, and the Nebraska Cultural Endowment. Visit www.artscouncil.nebraska.gov for more information. Additional support provided by Humanities Nebraska.
Event Date
Friday, June 7, 2013 to Sunday, March 2, 2014