African-American Quilts from the Cargo Collection

African-American Quilts from the Cargo Collection

African-American Quilts from the Cargo Collection

“You can find joy in anything you do. It makes me feel so good to make a pretty quilt and have someone enjoy it.” 
—Nora Ezell

African-American quilts are a critical segment of quilt history. They reflect the diverse traditions that merge to form our American quilt heritage. African-American quilts come in every imaginable style: traditional patterns and original patterns, bold colors and subdued colors, and pieced quilts and story quilts. Like all American quilts, they vary from region to region, from era to era, and from person to person.

For twenty years, Dr. Robert Cargo, owner of the well-known Folk Art Gallery in Tuscaloosa, Alabama, championed self-taught artists, especially African-American quiltmakers from his home state. In 2000, we acquired a 156-piece collection from Dr. Cargo, which spans the twentieth century and represents locales all over Alabama, including urban areas such as Birmingham, rural areas like Greene County, and now-famous communities such as Gee’s Bend.

Several of the artists in this exhibition have talked about their quilts and their quiltmaking process. Many of their words coalesce around a few ideas:
CREATIVITY: “A lot of people have asked me about my colors. I don’t care about color combinations. I do what looks good, but I keep the pattern in mind.” —Nora Ezell
EMOTION: “I still think what I’m doing is just ‘plain old Yvonne.’ And when somebody else sees my work, it touches my heart.” —Yvonne Wells
COMMUNITY: “I did not make fancy quilts until after I joined a senior-citizens quilting group with Mary Maxtion. Sometimes she quilts with me.” —Lureca Outland
See if you can find traces of these ideas as you view these works of art from the Cargo Collection of African-American Quilts.

About the Cargo Collection

About the Cargo Collection
About the Cargo Collection

The Robert and Helen Cargo Collection of African-American quilts, given to the International Quilt Study Center in May, 2000, in part by the Cargos and in part by Robert and Ardis James, encompasses 156 quilts made by African American women primarily from Alabama. More than 32 quilt makers are represented in the collection, including folk artists Nora Ezell, Mary Lucas, Mary Maxtion and Yvonne Wells.

The quilts typically date from the fourth quarter of the 20th century, but also include a number of significant pre-1950 works. Many were purchased directly from the makers, some of whom Dr. Cargo came to know well as he visited and photographed them at work in their homes.
IQSC Director Dr. Patricia Crews commented, "This exceptional collection adds a new facet of American quilt history to the IQSC's world-class James Collection. The Cargo Collection superbly illustrates the ongoing role that African American quilt makers play in the larger tradition of American quilt history."

Robert Cargo, professor emeritus of the University of Alabama and owner of the Folk Art Gallery in Tuscaloosa, began building his collection of Alabama quilts in the late 1950s after inheriting a number of quilts from his great-grandmother. He decided early to focus his efforts primarily on Alabama quilts and assembled a collection that became widely regarded as one of the most important quilt collections in the United States. Starting around 1980, Cargo  concentrated more on African American quilts from Alabama with a few examples from several other states of the Deep South. "As a group, these quilts have the qualities that excite me as I grow older - bold, eccentric, idiosyncratic, improvisational, brightly colored," he said.

Selected quilts from this collection have been exhibited at the Museum of American Folk Art in New York, The National Humanities Center in North Carolina and the Smithsonian Institution in Washington, D.C., and are featured in a number of publications including "Quilts: A Living Tradition" by Robert Shaw.

Robert Cargo died in December 2012.

Works in the Exhibition

Works in the Exhibition

Double Wedding Ring
Maker Unknown
Circa 1970
Possibly made in Pickens County, Alabama
83 x 68.5 inches
2000.004.0001, Robert & Helen Cargo Collection

Cathedral Windows variation
Nora Ezell (1919-2007)
Dated 1985
Made in Eutaw, Greene County, Alabama
90 x 70 inches
2000.004.0026, Robert & Helen Cargo Collection

Everybody Quilt
Nora Ezell (1919-2007)
Dated 1985
Made in Eutaw, Greene County, Alabama
97 x 89.5 inches
2000.004.0031, Robert & Helen Cargo Collection

Star of Bethlehem
Roberta Jemison (1928- )
Circa 1995
Made in Greene County, Alabama
93 x 84 inches
2000.004.0044, Robert & Helen Cargo Collection

Mule
Mary Maxtion (1924- )
Circa 1990
Made in Boligee, Greene County, Alabama
87 x 76 inches
2000.004.0062, Robert & Helen Cargo Collection

Log Cabin variation
Mary Maxtion (1924- )
Circa 1994
Made in Boligee, Greene County, Alabama
89.5 x 73 inches
2000.004.0080, Robert & Helen Cargo Collection

Snail Trail
Mary Maxtion (1924- )
Circa 1994
Boligee, Greene County, Alabama
87 x 72 inches
2000.004.0082, Robert & Helen Cargo Collection

Teacup
Lureca Outland (1904-2008)
Dated 1994
Made in Greene County, Alabama
95.5 x 70.5 inches
2000.004.0091, Robert & Helen Cargo Collection

Fan Wheel
Leola Pettway (1929-2010)
Circa 1985-1990
Made in Gee’s Bend, Alabama
98 x 85 inches
2000.004.0107, Robert & Helen Cargo Collection

Mule
Betty Rogers (1910-2012)
Circa 1988
Made in Greene County, Alabama
73 x 76.5 inches
2000.004.0109, Robert & Helen Cargo Collection

Triangles
Yvonne Wells (1939- )
Circa 1980-1985
Made in Tuscaloosa, Alabama
86 x 68.5 inches
2000.004.0133, Robert & Helen Cargo Collection

Works in the Exhibition

Gallery Photos

Gallery Photos
Gallery Photos
This exhibition was made possible through funding from the Nebraska Arts Council and the Nebraska Cultural Endowment. The Nebraska Arts Council, a state agency, has supported this exhibition through its matching grants program funded by the Nebraska Legislature and the National Endowment for the Arts, and the Nebraska Cultural Endowment. Visit www.artscouncil.nebraska.gov for more information.
Event Date
Friday, September 4, 2015 to Wednesday, May 25, 2016