Nancy Crow: Cloth, Culture & Context

Nancy Crow: Cloth, Culture & Context

The quilts of Nancy Crow: Cloth, Culture & Context represent the artist’s exploration of the quilt medium over the last thirty years. From early pieces that draw upon classic American quilt patterns to her later freeform, abstract compositions, Crow has developed a body of work that continues to confront, expand, and redefine her vision. She constantly seeks visual inspiration, using her discriminating eye to draw influence from the natural world, the built environment, and textiles and various handicraft traditions from cultures worldwide. Working in series in order to fully explore her ideas, Crow improvisationally cuts and pieces her own hand-dyed fabrics into quilts that reflect her own bold individuality and demonstrate why she is one of the today's most influential and respected quilt artists.

Beginnings

Beginnings
Beginnings

Crow’s early piece, Crosses, demonstrates a modern twist on a quintessential American quilt pattern, the Log Cabin. Crow, however, modernizes the pattern, first seen in quilts in the years following the Civil War, by using saturated colors in precise gradations. The body of the piece is framed with a stark contrast of light and dark fabrics that contain the movement of criss-crossing lines. 

Playing with Tradition

Playing with Tradition
Playing with Tradition

Crow continues her exploration of the traditional American quiltmaking with her series of Bow Tie and Color Block quilts.  Each piece is grounded in the basic form of the single block, yet more and more, they break out of their prescribed patterns and embrace a freer, more abstract overall design. Circular hand-quilted motifs contrast with the crisp edges and hard lines of these familiar, yet new designs

Playing with Abstraction

Playing with Abstraction
Playing with Abstraction

The crisp lines and defined shapes of Crow’s earlier quilts blurred as the artist searched for a way to create more abstracted designs. Crow began to work without a prescribed plan, cutting her fabrics free-hand, reacting to color, form and tension while “building” quilts on her design wall.

Architecture and Constructions

Architecture and Constructions
Architecture and Constructions

In 1995, Nancy Crow began to work on a new series titled Constructions.  Influenced by lines inherent in architecture and construction and in nature, Crow refined her earlier visions of abstraction, focusing on proportions of shape, line, color values and rhythm. Grids reappears in the Constructions series, fluid, skewed and delicately balanced.

New Territory

New Territory
New Territory

Markings 1 represents a new series and a new approach for the Crow. Searching for a method that would bring to mind calligraphic markings, Crow experimented with screen printing and dying directly on fabric. In Markings 1, Crow identified each of the marks as human lives wasted needlessly by political lies and manipulations. 

Design Wall

Design Wall
Design Wall

Crow describes her quiltmaking as “a process of discovery.” She constantly works and reworks her concepts as she pieces fabric together in an attempt to express her unique vision of form and color. Crow pins fabric pieces together amidst the textiles, basketry and various crafts from around the world from which she draws her inspiration.

Featured Media

Featured Media
Featured Media

Gallery Photos

Gallery Photos
Gallery Photos
This exhibition was made possible through funding from the Nebraska Arts Council and the Nebraska Cultural Endowment. The Nebraska Arts Council, a state agency, has supported this exhibition through its matching grants program funded by the Nebraska Legislature and the National Endowment for the Arts, and the Nebraska Cultural Endowment. Visit www.nebraskaartscouncil.org for more information.
Event Date
Sunday, March 30, 2008 to Sunday, August 31, 2008