Black as Illusion

We may not always be aware of it, but black is continuously influencing and manipulating our perceptions of what is real and what is not.

Grouped with the white and blue shapes, the black rhombuses in Tumbling Blocks create the impression of stacked cubes. Although we know the image is flat, black in this context suggests dimensionality. The diamond shapes in Log Cabin (Light and Dark setting) do different illusory work. Dark-colored strips of fabric come together to trick the eye, rendering shapes that appear veiled by a translucent black—yet in reality, they are not.

Whether creating the appearance of depth, obscuring details from our view, or inviting us to imagine what lies within impenetrable shadows, black creates illusions that shape our visual world. What illusions reveal themselves through the use of black in the other quilts in this section? 

Black as Concept

The color black evokes a multitude of ideas and emotions. Depending on context, it can symbolize anything from our deepest angst, a powerful authority or an ominous threat. When black is added or attached to individuals or objects, we are flooded with social and cultural cues that help us make sense of our surroundings.

Black Boy can be read in two interpretations at once – as both an image of a repeated black figure and as a representation of racial blackness. Assigning the latter meaning reveals a brutal and unjust past, as well as the lingering stereotypes that continue to be assigned to black bodies in the present moment. The quirky Schoolhouse may challenge our expectations and conjure our curiosity, as black is such an uncommon color for a dwelling or institution. How do you “read” the quilts?

Black as Contrast

As the darkest possible color and literal absence of light, black is often used to create brilliant contrast with other colors. It is fascinating to explore how black works in multiple ways. When juxtaposed with other colors, black can recede out of focus and enhance the colors it borders. This is apparent in Roman Stripe where the black fabric works to amplify the intensity of the other hues, especially the red. Alternatively, when juxtaposed with white, black appears deeper, richer, and becomes more pronounced. Bars and Herringbone, when viewed together, represent a classic example of high contrast where black stands out as strikingly dark against its bright opposite.

Take a moment to examine the Bars quilt (above) on its own. Does the faded fabric and lower contrast in this quilt change the way you experience black?